Light Yagami is an ace student with great prospects—and he’s bored out of his mind. But all that changes when he finds the Death Note, a notebook dropped by a rogue Shinigami death god. Any human whose name is written in the notebook dies, and Light has vowed to use the power of the Death Note to rid the world of evil. But will Light succeed in his noble goal, or will the Death Note turn him into the very thing he fights against?
Takeshi Obata was born in 1969 in Niigata, Japan, and first achieved international recognition as the artist of the wildly popular Shonen Jump title Hikaru no Go, which won the 2003 Tezuka Osamu Cultural Prize: Shinsei “New Hope” Award and the 2000 Shogakukan Manga Award. He went on to illustrate the smash hit Death Note as well as the hugely successful manga Bakuman。 and All You Need Is Kill.
Light Yagami is a genius high school student who is about to learn about life through a book of death. When a bored shinigami, a God of Death, named Ryuk drops a black notepad called a Death Note, Light receives power over life and death with the stroke of a pen. Determined to use this dark gift for the best, Light sets out to rid the world of evil… namely, the people he believes to be evil. Should anyone hold such power? The consequences of Light’s actions will set the world ablaze.
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Death Note, Tsugumi Ohba and Takeshi Obata’s suspenseful tale of power, corruption and morality, returns for the first time on Blu-ray, uncut and HD enhanced! This six-disc set includes the complete 37-episode series in five languages, two feature films in three languages and hours of extras!
In this complete collection of Death Note short stories penned by the series’ creators, discover tales of lives irrevocably changed by the sinister influence of the Death Note, with surprising and thrilling answers to the question of what it truly takes to use the Death Note…or fight it.
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… is no masterpiece. It certainly made for an intense viewing experience and had me hooked for all of the 40 plus episodes, but there is a lot of it that falls apart under close scrutiny.
Is meant more so to entertain rather than serve as any high art, which is contrary to what some may think given the high concept nature of its premise.
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The story is about a teenage boy named Light Yagami and his magical notebook that kills people. To be more specific, it is a notebook dropped by a shinigami (a death God for you non weebs) and that Light obtains ownership from when he finds it. He then decides he wants to use the
One of the key issues I have with the series is how sudden Light’s transition from a normal high school student to a narcissistic sociopath with a God complex is. I can certainly empathize with why someone would want an authoritarian regime that will punish evil doers and protect the innocent, although the fact that Light specifically targets no name criminals instead of corrupt politicians and billionaires that do more to destroy the lives of the innocent than any serial killer ever could makes me think he’s kind of an amateur.
Attempts to make the claim that by mass murdering killers and rapists, Light is just as bad as those killers. Does this mentality sound familiar? Yeah, it’s the same mentality that “rational centrists” use to justify the mistreatment and subjugation of minorities whenever they revolt against the system that abused them. And I’m not saying that it’s okay to mass murder those who harm others and try to “clean the world of its filth” by killing all who fit one’s own standards for how the world should be. What I’m saying is that
How Death Note Redeemed Itself In Its Final Episode
Don’t know how it’s relevant, but I am obligated to reference either this meme or the potato chip one, and I have to go with the less obvious.
Instead all it does is opt to have Light become more and more corrupt as he goes to the lengths of killing otherwise innocent people who are trying to stop him. They wait until AFTER Light has his bitch fit and kills Lind Taylor in the fourth episode to really make any point about what a scumbag Light is. But the problem is that there isn’t any decent motivation behind trying to stop Light other than “because it’s the law, ” which is an appeal to authority action. The whole point of the series is meant to show that Light isn’t as pure or brilliant as he thinks, but it doesn’t get shown until he starts killing the innocent to prevent them from finding out his true Identity.
This is the problem with a series that brings up such a high concept premise yet takes the most generic and centrist stance on any of its implications. I mean, Kira forbid you have a plot that shows how one goes from an innocent high school student to a ruthless power hungry monster in a realistic human way. Instead they portray Light as a total straw men of those that try to take justice into their own hands.
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I am of the belief that while pursuing a revolution, violence should only be an absolute last resort. But I also know that there will be points when violence is inevitable. We didn’t win World War 2 through love and tolerance, but the US also still lost the Vietnam War despite the infinitely stronger weaponry. The point is that
Never provides a good reason for why Light Yagami was in the wrong before he started killing detectives and police officers that got too close to him. It shows him getting corrupt and drunk on power because they can’t say that he’s murderous scumbag otherwise.
Credit on how it brings up the question of “do the ends justify the means?” It is often made clear that Light is petty and narcissistic, and thus he holds himself above all others and thus “above” the very standards he set. One could make the argument that with the decrease in crime during Kira’s reign, that Light was justified in what he did. Mikami and Misa’s backstories both showed the positive effect that Light’s action had. Both of them became dedicated to Light’s cause precisely because he provided them salvation in their time of need.
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The series concludes that they did not justify the means given Light’s failure in the end and how those that trusted him came to realize how much of a piece of shit he is, but that is chalked up more to his level of pettiness and narcissism rather.
Does not argue why humankind should not play God; it argues why Light Yagami should not play God. If someone were to attempt the same thing as Light yet would go out of his way to avoid hurting the innocent, what would be the argument against them?
When taken on its own as just one man’s story rather than a political allegory for authoritarianism, there are still a few holes present. The biggest challenge that most viewers will have is regarding whether they can suspend their disbelief at just how smart and crafty Light is… whenever the plot wants him to be.
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Tsugumi Ohba seemed to be under the impression that “genius” means omniscient while writing Death Note considering that the entire plot turns into Light and L (and later Near) “deducing” the other’s actions out of thin air like the Fairly Odd Parents version of Sherlock Holmes. Most of the plot turns into the equivalent of Dragon Ball Z power levels except with intelligence until Tsugumi Ohba realized he made them both too smart and makes Light do something stupid to move the plot along, such as falling for L’s taunt and narrowing down his location at the start or deciding to go on a self absorbed gloating spiel in the final episode while not anticipating Near having a fake
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